To be an artist or a writer is to be this weird thing - a hand worker in an era of mass production.

In the greatest art, one is always aware of things that cannot be said. . .of the contradiction between expression and the presence of the inexpressible. Stylistic devices are also techniques of avoidance. The most potent elements of a work of art are, often, its silences.

I envy paranoids; they actually feel people are paying attention to them.

The writer must be four people: 1) The nut, the obsede 2) The moron 3) The stylist 4) The critic. 1 supplies the material; 2 lets it come out; 3 is taste; 4 is intelligence.

Like the effects of industrial pollution and the new system of global financial markets, the AIDS crisis is evidence of a world in which nothing important is regional, local, limited; in which everything that can circulate does, and every problem is, or is destined to become, worldwide.

Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone.

Industrial societies turn their citizens into image-junkies; it is the most irresistible form of mental pollution. Poignant longings for beauty, for an end to probing below the surface, for a redemption and celebration of the body of the world. Ultimately, having an experience becomes identical with taking a photograph of it.