You don't do any show to be celebrated. In fact, you don't do any show thinking what's going to happen in the end. You immerse yourself in a room full of talent and a room full of designers and you hope for the best.

It is true that I visualize music and, as I visualize music, I have some sort of story running in my head, all the time.

I'm really happy when I'm immersed in the art of it all - immersed in the music, the dance, the visual. Tapping into joy - it saves you.

I know a lot of choreographers prefer to do abstract dance and not be bothered with a story, but even when I'm asked to do classical ballet or a modern piece, I still want to tell a story.

I tell stories through dance, and I think that's why I'm so attracted to the theatre because even the choreography in theatre moves the plot forward at all times.

I don't want to work with someone who's nervous, I want to work with someone who is fearless

I am a storyteller, and I grew up with a father who told big-fish stories, so storytelling is very much a part of me. It was a part of my family.