It is a miracle a musical gets up because of all the different departments and how much it costs. It is a miracle.

I know a lot of choreographers prefer to do abstract dance and not be bothered with a story, but even when I'm asked to do classical ballet or a modern piece, I still want to tell a story.

I tell stories through dance, and I think that's why I'm so attracted to the theatre because even the choreography in theatre moves the plot forward at all times.

I think theatres will always remain a sacred place where people go for something live and experience things live, which is very different than the experience of film.

My father was very funny, so I grew up with humor in the house. And I was always really attracted to comedies on TV. I was always really attracted to comics.

I feel the theatre is the most unique one of all [the arts] for collaboration. I feel very fortunate to be in a field where I really do get to have long conversations with the visual artists, the actors, the musicians. It's all art forms rolled into one and I feel very fortunate to be a part of it.

It is true that I visualize music and, as I visualize music, I have some sort of story running in my head, all the time.