In all my novels, a sense of place - not just geographic but social - is a critical element. I have always been drawn to the novels of Edith Wharton, among others, where social dynamics are crucial. Wharton's class consciousness fascinates me, and some of the tension in my books stems from that.

There's a kind of love that has the power to save you, to get you through life. It's like breathing. You have to do it or you'll die. And when it's over, your soul starts to bleed. There's no pain in the world like it, I swear.

My adult life has been a patchwork of projects, most of which were fleeting fancies of overreaching vision. I tend to seize on things, only to abandon them due to a lack of time, talent or inclination.

In all my novels, a sense of place - not just geographic but social - is a critical element. I have always been drawn to the novels of Edith Wharton, among others, where social dynamics are crucial. Wharton's class consciousness fascinates me, and some of the tension in my books stems from that.

Insults sting but a little when they stem from a man's ignorance.

When you're with the person you love, you're home.

Talent is required, but much of writing is a matter of craft, which develops with time, attention, patience and practice, like playing an instrument or learning to dance.