the wide discrepancy between reason and feeling may be unreal; it is not improbable that intellect is a high form of feeling - a specialized, intensive feeling about intuitions.

Nature, as man has always known it, he knows no more. Since he has learned to esteem signs above symbols, to suppress his emotional reactions in favor of practical ones and make use of nature instead of holding so much of it sacred, he has altered the face, if not the heart, of reality.

The faith of scientists in the power and truth of mathematics is so implicit that their work has gradually become less and less observation, and more and more calculation.... But the facts which are accepted by virtue of these tests are not actually observed at all.

Feeling, in the broad sense of whatever is felt in any way, as sensory stimulus or inward tension, pain, emotion or intent, is the mark of mentality.

Art is just as comprehensible as science, but in its own terms.

A mind that is very selective to forms... is apt to use its images metaphorically, to exploit their possible significance for the conception of remote or intangible ideas.

The dancer, or dancers, must transform the stage for the audience as well as for themselves into an autonomous, complete, virtual realm, and all motions into a play of visible forces in unbroken, virtual time...Both space and time, as perceptible factors, disappear almost entirely in the dance illusion.