My plays are for the kind of black people who relate to funk music, to Parliament-Funkadelic. When those guys get out of a spaceship - the idea that black people are from outer space, theres a poetic truth to that. We are this vast people.

Difficulty creates the opportunity for self-reflection and compassion.

My father was in the Army and we moved around a lot, and one of my favorite places was the library.

The first time I went over to [my director's] house, he said to me, This is a very strange play. I was pleased that he reminded me of that. [He] understands the play [VENUS] intellectually and emotionally and the humor, the funny bone.

Every play I write is about love and distance. And time. And from that we can get things like history.

Be bold. Envision yourself living a life that you love. Believe, even if you can only muster your faith for just this moment, believe that the sort of life you wish to live is, at this very moment, just waiting for you to summon it up. And when you wish for it, you begin moving toward it, and it, in turn, begins moving toward you.

I don't consciously start writing a play that involves issues. After it's done, I sit back like everyone else and think about what it means.