Charred bits of black silk swirl into the air, and pearls clatter to the stageโฆ Iโm in a dress of the exact design of my wedding dress, only itโs the color of coal and made of tiny feathers. Wonderingly, I lift my long, flowing sleeves into the air, and thatโs when I see myself on the television screen. Clothed in black except for the white patches on my sleeves. Or should I say my wings. Because Cinna had turned me into a mockingjay.
Suzanne CollinsNo one really needs me,โ he says, and there's no self-pity in his voice...โI do,โ I say. โI need you.โ He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss.
Suzanne CollinsWhen I break into the clearing, she's on the ground, hopelessly entangled in a net. She just has the time to reach her hand through the mesh and say my name before the spear enters her body.
Suzanne CollinsDirector Gary Ross has created an adaptation that is faithful in both narrative and theme, but he's also brought a rich and powerful vision of Panem, its brutality and excesses, to the film as well. His world building's fantastic, whether it be the Seam or the Capitol.
Suzanne Collins