Drama is the most difficult of all arts. In it two things are to be satisfied - first, the ears, and second, the eyes. To paint a scene, if one thing be painted, it is easy enough; but to paint different things and yet to keep up the central interest is very difficult. Another difficult thing is stage - management, that is, combining different things in such a manner as to keep the central interest intact.

Excepting the infinite spirit, everything else is changing. There is the whirl of change.

What we want is muscles of iron and nerves of steel. We have wept long enough. No more weeping, but stand on your feet and be men. It is man-making theories that we want. It is man-making education all round that we want.

I am really not "cyclonic" at all. Far from it. What I want is not here, nor can I longer bear this "cyclonic" atmosphere. This is the way to perfection, to strive to be perfect, and to strive to make perfect a few men and women. My idea of doing good is this: to evolve out a few giants, and not to strew pearls before swine, and so lose time, health, and energy.

Brave, bold men, these are what we want. What we want is vigor in the blood, strength in the nerves, iron muscles and nerves of steel, not softening namby-pamby ideas. Avoid all these. Avoid all mystery. There is no mystery in religion. Is there any mystery in the Vedanta, or in the Vedas, or in the Samhitâs, or in the Puranas? What secret societies did the sages of yore establish to preach their religion? What sleight-of-hand tricks are there recorded as used by them to bring their grand truths to humanity?

If there's a God, we must see him and if there's a soul we must perceive it. Otherwise, it's better not to believe.

Have faith in yourselves, and stand up on that faith and be strong; that is what we need.