Once I start to do a film, it has inferences. If a guy walks down a street and kicks a dog, you're saying something about that guy. A guy walks down the street and somebody's about to be run over and he shoves him out of his way and gets hit by the car himself, you're saying that guy's a hero. You can't avoid making certain statements.

You mustn't regret decisions that you make. Because the decisions are made out of your gut in a way and you have to stick with them.

I mean, certainly it's the single biggest event, I think, in terms of popular entertainment, or art even, if you say that, of the 20th Century. It's been film. It's the 20th Century's real art form.

I see my job as trying to entertain you, to be balanced in some way, and morally responsible. I don't want to glorify a killer. I don't want to glorify a rapist. I don't want to do those things, but on the other hand I don't want to lecture to you, either.

I don't consider myself a teacher of moral and political positions. I don't want to be that. I can't help but have a point of view when I make a film, but my first job is to entertain you.

Well, the wonderful thing about making movies, oddly enough, is that they're sort of highly motivated graduate studies in one or another field.

I've produced my own films for twenty years now - it means I have to talk to less people.