As far as I'm concerned, an audience is an audience. Whether it's an audience in Hull or the National Theatre, that's who you play to. It's not money - it's good to get some, but that's not why I do it. You do it because you have to, to tell a story.

If anybody asks me to do a job, I say, 'Yes.' I've said yes to everything.

On stage you look much larger than you are. You can have subtle changes of timing; how you place a punchline in a joke or movement or emotion according to an audience.

I don't relax. I sit down and contemplate all the energetic things I should do.

I quite enjoy fame, especially when you go to conventions in America where they treat you like a god with stretch limos and the whole fame thing, but then when you come back to Britain, you end up changing in a toilet in a theatre off West End and that's really good, because that is what it's about.

Every great decision creates ripples. Like a huge boulder dropping in a lake. The ripples merge and rebound off the banks in unforseeable ways. The heavier the decision, the larger the waves, the more uncertain the consequences.

As far as I'm concerned, Cate Blanchett is a goddess, but she's really down to earth. She's got all those Oscars, she's made all those amazing films and she could spend her whole life doing that, but what does she also do? She gives birth to three boys and creates her own theatre in Sydney.