It is best to meet in a cul-de-sac, A palace of velvet With windows of mirrors. There one is safe, There are no family photographs, No rings through the nose, no cries.

No, I won't try to escape myself by losing myself in artificial chatter 'Did you have a nice vacation?' 'Oh, yes, and you?' I'll stay here and try to pin that loneliness down.

I think I am worthwhile just because I have optical nerves and can try to put down what they perceive. What a fool!

You've only got so long to live.

…* to learn that money makes life smooth in some ways, and to feel how tight and threadbare life is if you have too little. * to despise money, which is a farce, mere paper, and to hate what you have to do for it, and yet to long to have it in order to be free from slaving for it. * to yearn toward art, music, ballet and good books, and get them only in tantalizing snatches.

I must say what I admire most is the person who masters an area of practical experience, and can teach me something. I mean, my local midwife has taught me how to keep bees. Well, she can't understand anything I write. And I find myself liking her, may I say, more than most poets. And among my friends I find people who know all about boats or know all about certain sports, or how to cut somebody open and remove an organ. I'm fascinated by this mastery of the practical.

What did my arms do before they held you?