I think my poems immediately come out of the sensuous and emotional experiences I have, but I must say I cannot sympathise with these cries from the heart that are informed by nothing except a needle or a knife, or whatever it is.

Although, I admit, I desire, Occasionally, some backtalk From the mute sky, I can't honestly complain: A certain minor light may still Lean incandescent Out of kitchen table or chair As if a celestial burning took Possession of the most obtuse objects now and then --

I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant loosing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.

I think the coming of spring, the stars overhead, the first snowfall and so on are gifts for a child, a young poet.

And so I rehabilitate myself - staying up late this Friday night in spite of vowing to go to bed early, because it is more important to capture moments like this, keen shifts in mood, sudden veering of direction - than to lose it in slumber.

I am accused. I dream of massacres. I am a garden of black and red agonies. I drink them, Hating myself, hating and fearing. And now the world conceives Its end and runs toward it, arms held out in love.

What I fear most, I think, is the death of the imagination.