I think the whole emphasis in England, in universities, on practical criticism (but not that so much as on historical criticism, knowing what period a line comes from) this is almost paralysing. In America, in University, we read - what? - T. S. Eliot, Dylan Thomas, Yeats, that is where we began. Shakespeare flaunted in the background. I'm not sure I agree with this, but I think that' for the young poet, the writing poet, it is not quite so frightening to go to university in America as it is in England, for these reasons.
Sylvia PlathI lay and cried, and began to feel again, to admit I was human, vulnerable, sensitive. I began to remember how it had been before; how there was that germ of positive creativeness. Character is fate; and damn, I'd better work on my character. I had been withdrawing into a retreat of numbness: it is so much safer to NOT feel, NOT to let the world touch one.
Sylvia PlathI wanted to crawl in between those black lines of print, the way you crawl through a fence, and go to sleep under that beautiful big green fig-tree.
Sylvia PlathAntoine St. Exupery once mourned the loss of a man and the secret treasures that he held inside him. I loved Exupery; I will read him again, and he will talk to me, not being dead, or gone. Is that life after death — mind living on paper and flesh living in offspring? Maybe. I do not know.
Sylvia PlathLet's face it: I'm scared, scared and frozen. First, I guess, I'm afraid for myself ... the old primitive urge for survival. It's getting so I live every moment with terrible intensity. Last night, driving back from Boston, I lay back in the car and let the colored lights come at me, the music from the radio, the reflection of the guy driving. It all flowed over me with a screaming ache of pain ... remember, remember, this is now, and now, and now. Live it, feel it, cling to it. I want to become acutely aware of all I've taken for granted. When you feel that this may be the good-bye, the last time, it hits you harder.
Sylvia Plath