I think the whole emphasis in England, in universities, on practical criticism (but not that so much as on historical criticism, knowing what period a line comes from) this is almost paralysing. In America, in University, we read - what? - T. S. Eliot, Dylan Thomas, Yeats, that is where we began. Shakespeare flaunted in the background. I'm not sure I agree with this, but I think that' for the young poet, the writing poet, it is not quite so frightening to go to university in America as it is in England, for these reasons.

A black-sharded lady keeps me in a parrot cage.

I need some older, wiser being to cry to. I talk to God, but the sky is empty, and Orion walks by and doesn't speak.

I am disabused of all faith, and see too clearly.

How many different deaths I can die?

This is newness: every little tawdry Obstacle glass-wrapped and peculiar, Glinting and clinking in a saint's falsetto. Only you Don't know what to make of the sudden slippiness, The blind, white, awful, inaccessible slant. There's no getting up it by the words you know. No getting up by elephant or wheel or shoe. We have only come to look. You are too new To want the world in a glass hat.

I have taken a pill to kill The thin Papery feeling.