I want to force myself again and again to leave the warmth and security of static situations and move into the world of growth and suffering where the real books are people's minds and souls.

I feel, am mad as any writer must in one way be; why not make it real? I am too close to the bourgeois society of suburbia: too close to people I know I must sever my self from them, or be a part of their world: this half and half compromise is intolerable.

That afternoon my mother had brought me the roses. "Save them for my funeral," I'd said.

Yes, my consuming desire is to mingle with road crews, sailors and soldiers, barroom regulars - to be a part of a scene, anonymous, listening, recording - all this is spoiled by the fact that I am a girl, a female always supposedly in danger of assault and battery. My consuming interest in men and their lives is often misconstrued as a desire to seduce them, or as an invitation to intimacy. Yes, God, I want to talk to everybody as deeply as I can. I want to be able to sleep in an open field, to travel west, to walk freely at night.

The sickness rolled through me in great waves. After each wave it would fade away and leave me limp as a wet leaf and shivering all over and then I would feel it rising up in me again, and the glittering white torture chamber tiles under my feet and over my head and all four sides closed in and squeezed me to pieces.

The thing about writing is not to talk, but to do it; no matter how bad or even mediocre it is, the process and production is the thing, not the sitting and theorizing about how one should write ideally, or how well one could write if one really wanted to or had the time.

God, if ever I have come close to wanting to commit suicide, it is now, with the groggy sleepless blood dragging through my veins, and the air thick and gray with rain ... I fell into bed again this morning, begging for sleep, withdrawing into the dark, warm, fetid escape from action, from responsibility. No good.