I hadn't, at the last moment, felt like washing off the two diagonal lines of dried blood that marked my cheeks. They seemed touching, and rather spectacular, and I thought I would carry them around with me, like the relic of a dead lover, till they wore off of their own accord.

I love people. Everybody. I love them, I think, as a stamp collector loves his collection. Every story, every incident, every bit of conversation is raw material for me.

I want, I think, to be omniscient. I think I would like to call myself "the girl who wanted to be God." Yet if I were not in this body where would I be-perhaps I am destined to be classified and qualified. But, oh, I cry out against it.

My best friends when I was young were always doctors. I used to dress up in a white gauze helmet and go round and see babies born and cadavers cut open. This fascinated me, but I could never bring myself to disciplining myself to the point where I could learn all the details that one has to learn to be a good doctor. This is the sort of opposition: somebody who deals directly with human experiences, is able to cure, to mend, to help, this sort of thing.

I find that in a novel I can get more of life, perhaps not such intense life, but certainly more of life than in poetry.

The thing about writing is not to talk, but to do it; no matter how bad or even mediocre it is, the process and production is the thing, not the sitting and theorizing about how one should write ideally, or how well one could write if one really wanted to or had the time.

Not easy to state the change you made. If I'm alive now, I was dead, Though, like a stone, unbothered by it.