... you looked around and saw everybody either married or busy and happy and thinking and being creative, and you felt scared, sick, lethargic, worst of all, not wanting to cope. You saw visions of yourself in a straightjacket, and a drain on the family, murdering your mother in actuality, killing the edifice of love and respect built up over the years in the hearts of other people.

The trouble about jumping was that if you didn't pick the right number of stories, you might still be alive when you hit bottom.

Don't let the wicked city get you down.

The thing about writing is not to talk, but to do it; no matter how bad or even mediocre it is, the process and production is the thing, not the sitting and theorizing about how one should write ideally, or how well one could write if one really wanted to or had the time.

Do I like to write? Why? About what? Will I give up and say, "Living and feeding a man's insatiable guts and begetting children occupies my whole life. Don't have time to write"?

In this particular tub, two knees jut up like icebergs, while minute brown hairs rise on arms and legs in a fringe of kelp; green soap navigates the tidal slosh of seas breaking on legendary beaches; in faith we shall board our imagined ship and wildly sail among sacred islands of the mad till death shatters the fabulous stars and makes us real.

So I kiss him, and there is the great dark sea ahead.