about ten days ago I got started on a new book, and am completely, brazenly devoted to it: my hair is uncut, my letters are unwritten, the house is a shambles, and I sit here as happy as Mrs. Jellaby, though I am in 1836, not Africa. It won't go on like this, I shall fall over some obstacle, and wake out of my dreams with a black eye and broken shins: but while it does last, I daren't interrupt it. I haven't had such a spell of writing for nearly three years.

We are also rather concerned about our moorhen who went mad while we were in Italy and began to build a nest in a tree. ... she walks about in the tree, looking as uneasy yet persevering as a district visitor in a brothel.

To one who has led a virtuous life, to sin is the easiest thing in the world. No experience of unpleasant consequences grits that smooth sliding fall, no recollection of disillusionment blurs that pure desire.

I wish I could be a grandmother. It is wanton extravagance to have had a youth with no one to tell of it to when one grows old.

One reason why my memory decays is that I have three cats, all so loving and insistent that they play cat's-cradle with every train of thought. They drove me distracted while I was having influenza, gazing at me with large eyes and saying: O Sylvia, you are so ill, you'll soon be dead. And who will feed us then? Feed us now!

... Rembrandt is not a painter at all. He is a creator, who creates his beings, three dimensional living beings, on a two-dimensional flat surface which acts as a mute, and enforces silence on them.

Rouen shone in dark sunlight and a storm swept it away from my eyes and churned up the broad river with waves which pounced up like cats as our train drew out of the arches of the bridge.