The chief danger about Paris is that it is such a strong stimulant.

Any poet, if he is to survive beyond his 25th year, must alter; he must seek new literary influences; he will have different emotions to express.

What we know of other people's only our memory of the moments during which we knew them.

The young feel tired at the end of an action, the old at the beginning.

All art emulates the condition of ritual. That is what it comes from and to that it must always return for nourishment.

The chief danger about Paris is that it is such a strong stimulant.

We shall not cease from exploration, and the end of all our exploring will be to arrive where we started and know the place for the first time.