Japanese traditional architecture is created based on these conditions. This is the reason you have a very high degree of connection between the outside and inside in architecture.

You can't really say what is beautiful about a place, but the image of the place will remain vividly with you.

When I draw something, the brain and the hands work together.

If you give people nothingness, they can ponder what can be achieved from that nothingness.

Without this spirit, Modernist architecture cannot fully exist. Since there is often a mismatch between the logic and the spirit of Modernism, I use architecture to reconcile the two.

The computer offers another kind of creativity. You cannot ignore the creativity that computer technology can bring. But you need to be able to move between those two different worlds.

We borrow from nature the space upon which we build.