I've written fiction for as long as I can remember; it's always been my preferred form of play.

I live in Rome and five minutes from my flat is a church where you can walk in and see this beautiful Caravaggio. Just the way this man uses dark paint: dark to create dark to create dark, the layering of the darkness in his work. I just race home: I want to create!

I was four when I announced my ambition to write, eight when I began publishing such claims.

Sight is subjective. We learned that in class.

What distinguishes [Afropolitans] is a willingness to complicate Africa – namely, to engage with, critique, and celebrate the parts of Africa that mean most to them. Perhaps what most typifies the Afropolitan consciousness is the refusal to oversimplify; the effort to understand what is ailing in Africa alongside the desire to honour what is wonderful, unique. Rather than essentialising the geographical entity, we seek to comprehend the cultural complexity; to honour the intellectual and spiritual legacy; and to sustain our parents’ cultures.

I consider myself West African, among other cultural identities, and a writer, among other creative ones.

When I'm working, I'm so narrowly focused on sound, language, rhythm, flow, that I rarely feel the emotion of the text. It's only after - long after - I've finished a piece that I can experience in any way its emotional charge.