Having total freedom to direct my own movies is more difficult than those I was hired for, where the framework has been already furnished. Unlike with my own work, I don't have to deny or feel embarrassed at the straightforwardness or orthodoxy of the directorial style, because I can say in excuse, "This is how I was asked to direct by those people."

Humour is like violence. They both come to you unexpectedly, and the more unpredictable they both are, the better it gets.

Having total freedom to direct my own movies is more difficult than those I was hired for, where the framework has been already furnished. Unlike with my own work, I don't have to deny or feel embarrassed at the straightforwardness or orthodoxy of the directorial style, because I can say in excuse, "This is how I was asked to direct by those people."

Eventually, this is how I would like to be remembered at the end of my career: He was never the best in anything he did - comedy, acting, filmmaking, writing, etc. But nobody was better at doing different things at the same time than he was.

One thing I hate in movies is when the camera starts circling around the characters. I find that totally fake.

Comparing filmmaking to a plastic model, shooting is the process where you mold and color each piece, and editing is where you build a finished whole from the pieces you molded and colored. Obviously, the latter is the most enjoyable part in the making of plastic models, so editing is the process in filmmaking I enjoy the most. But at the same time, editing can be a painstaking task, too.

The thing about art for me is that you can go on theorising your work forever, because it's open to interpretation.