Having total freedom to direct my own movies is more difficult than those I was hired for, where the framework has been already furnished. Unlike with my own work, I don't have to deny or feel embarrassed at the straightforwardness or orthodoxy of the directorial style, because I can say in excuse, "This is how I was asked to direct by those people."

I believe you shouldn't force the audience's interpretation of a character or a story. The more you explain things, the less intriguing and imaginable they are for viewers. . . . Film to me, in its essence, in its ultimate nature, is silent. Music and dialogue are there to fill what is lacking in the image. But you should be able to tell the story with moving pictures alone. For my next project, though, I'd like to make the kind of film where the characters blabber all the time.

I intentionally shoot violence to make the audience feel real pain. I have never and I will never shoot violence as if it's some kind of action video game.

I don't really expect much from my life. So when I heard my films are premiering in film festival circuits I was glad of course but I thought it was lucky accident.

I always come to conclusions very fast. Well, that is one way of thinking, and the other way would be that I lack the necessary perseverance to stick to one thing that really fits me. I don't know if it's a good thing or bad thing.

For me comedy and violence has a lot in common. Just as you expect, comedy always lurks behind the most unexpected of circumstances.

Having total freedom to direct my own movies is more difficult than those I was hired for, where the framework has been already furnished. Unlike with my own work, I don't have to deny or feel embarrassed at the straightforwardness or orthodoxy of the directorial style, because I can say in excuse, "This is how I was asked to direct by those people."