With Prisoner of Conscience, the focus was - I've worked with Madlib, High Tech, Kanye West, J Dilla. I feel like I've worked with some of the greatest of all time. That's been overlooked. That's been overshadowed by the weight of the lyrics.

You see somebody rapping and you're like, "Nah, my cousin can do that." You're spoiled by the experience. Overseas, it's still something that people can appreciate.

The only way for me to be an artist is to be honest in my craft. If I veer from that, I'm not giving the investors what they want. Sometimes it's my job as an artist to know what I want to do, even when the fans tell me different.

But Rawkus is integral to what I do, because the cats who started Rawkus are the first ones who really saw my vision, and gave me a platform to get it out there, so I'm definitely totally grateful for that.

When I look at the arc of my career, my focus is on lyricism, right? I own that.

"Art Imitates life," of course, is that phrase by Oscar Wilde. I called that song "Art Imitates Life" because Oh No was in the studio and he actually came up with that hook. When I was trying to figure out a name for the record, it just kind of made sense.

I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.