To be honest, that whole exchange with Crunk Feminist actually made me write the song because I realize there's a lot of young women out there so hurt by the misogynistic images in hip-hop they paint it with such a broad brush stroke that they think anybody that defends hip-hop is defending misogyny.

I think hip hop is a dance music that's rebellious by nature.

I have enough rhythm to blend at this point. I have enough rhythm to blend one song into another. But man, I have such respect for the art of deejaying. I hesitate to even call myself a deejay.

The way I feel about Crunk Feminists. Here you have a bunch of bloggers who are not even quoting any feminists' works who are telling me what I can do better when I've been doing this as my life's work while y'all still in college! What are you talking about? And their criticism was of the idea that we should approach people like Rick Ross and Lil' Wayne with love when they have lyrics that we don't like, as opposed to approaching them with hate. That's their issue: How dare I say I approach Rick Ross with love!

I was always rhyming and doing it for the love before I found out I was gonna have children and when I found out, doing it for the love wasn't enough.

I feel like people mislead themselves when they tell themselves they're into me because of the lyrics. From my vantage point, people aren't into me because of the content, because of the lyrics. Because there's a million of rappers who have great content.

I'm spinning records and I look across the restaurant and I see somebody who looks Asian. And I'm like, "Yo, that looks like Yoko Ono." I'm like, oh, I can just meet - that's going to be great. Then I look carefully and I'm like, "That's not Yoko Ono, that's Bruno Mars." And it was Bruno Mars. That just happened recently. I was bugging out. Because that was totally not Yoko Ono at all.