So I just had to step up how I was doing it and the moment that I stepped up and the moment I focused all my energy on that is when things started to happen. So there's a direct relationship between my inspiration and my output.

I feel like people mislead themselves when they tell themselves they're into me because of the lyrics. From my vantage point, people aren't into me because of the content, because of the lyrics. Because there's a million of rappers who have great content.

Michael Bloomberg is a sensible guy. He's just privileged. He's a goddamn billionaire, and he or his family members have never had to deal with anything as remotely degrading as stop and frisk. So he has no point of reference.

You can have your own opinion, but not your own facts.

I'm spinning records and I look across the restaurant and I see somebody who looks Asian. And I'm like, "Yo, that looks like Yoko Ono." I'm like, oh, I can just meet - that's going to be great. Then I look carefully and I'm like, "That's not Yoko Ono, that's Bruno Mars." And it was Bruno Mars. That just happened recently. I was bugging out. Because that was totally not Yoko Ono at all.

God gave us music, so we play with our words.

With Prisoner of Conscience, the focus was - I've worked with Madlib, High Tech, Kanye West, J Dilla. I feel like I've worked with some of the greatest of all time. That's been overlooked. That's been overshadowed by the weight of the lyrics.