Why would I want to read something about somebody that's just a really nice, decent person who overcomes terrible trials? That's not how life is to me.

I think it's true about people now being closer to their parents, since the '60s, really. The parents are no longer from a different planet, the 1950s ideas of American family. We could be friends with our parents. After the '60s, it wasn't like a person smoking pot was what the parents would be appalled at.

I feel like I sort of missed the eighties. At the time, we didn’t know we were having fun, which is probably the way it always is.

I was like a social worker for lepers. My clients had a chunk of their body they wanted to give away; for a price I was there to receive it.

Whether you're acting or you're writing, your skin is just basically ripped off and you're putting yourself out there. At least the acting part comes with a bit more social interaction. And you're a bit less isolated because you are working with the director and the crew, and there's a general camaraderie. Writing, you're totally isolated. You're just trying to get the words on paper.

I'm writing what I want to write. But it's almost an act of rebellion on my part. Because as a person, I've always wanted to be very likeable, and I think that's a horrible thing, particularly for women. You're always like, "Oh, I hope I didn't hurt anyone's feelings. I hope they like me!" And that's just so stupid.

Brownstein's is a fresh and jaunty voice, with a jazz snap all his own.