I was born in Okinawa, but on a U.S. Army base. And my father is Japanese-American which means that he is second generation, but my mom was born in the Philippines and raised in Okinawa. So, how do you know where you are generationally from? I can claim all three legitimately, but I like to say that I am third generation American.

What I had found after the success of Karate Kid II is that an actor basically needs to - a primary requirement on my part as how I view as actor is you have to create a background, you have to create a history of that character and place her into the script that you're reading and carry on forward because you don't know how the future unfolds. This is what storytelling is you place a certain set of circumstances with a certain set of characters and you see what unfolds after an event happens.

In fact, when we as neuro-typical people encounter a person with autism spectrum syndrome who's always been that way it is that we have to adjust. Just because we can read people with autism correctly, whatever that word is why do we always default to saying, 'Well, that kid is not normal?' What is normal?

It's a shameful piece of history and I think - I don't mean to be political or sobering or anything - but I think America, the United States, we still have to deal with the issue of our original sin, which was slavery. And I think we're seeing the ramifications, the consequences, of not really facing the truth as to what we as a nation struggled towards. You know, struggled with and are still struggling and rectifying.

My mother, she's the one who's gifted with language. She can speak Japanese, of course, Tagalog, which is a Filipino dialect, Spanish as well as English. And I speak a little bit Japanese because I've had the opportunity to work alongside Japanese people. And a little bit of German, a little bit of Portuguese because of work. A little bit of French because of work. But then, if you asked me to carry-on an everyday conversation, I would fail miserably.

I love independent films because I love to help, I love to assist, I love to pass along knowledge or experience to young filmmakers because usually, that's what they are. They're young filmmakers who are trying to either just simply tell their stories or trying to break into show business, and this is their calling card. But either way, I just really respect young filmmakers who are trying to tell a story that means something to them.

It's a do-it-yourself kind of era with these pieces and bits of technology called iPhones. You can film your own stuff and throw it up on YouTube, I think is just a fantastic novelty and opportunity for young actors, young filmmakers to learn and hone their craft.