Don't make the body fit into the clothes. It really is, it's really respecting an individual and trying to cater to that individual's needs. And I guess that's what really is important for each one of us, dealing with each other in society, is look at the person in front of you, look at the individual in front of you and treat that person as a unique individual being. And I think we get along better, not just fashion-wise, but in terms of just dealing with people day-to-day.

I usually try to connect with young filmmakers over the phone so I can hear them and just pick their brain as to why they want to tell the story. And usually, I'm on board. I go, "Yeah, I'd love to help. And I just need to know why you want to do this,' and it's usually an easy process because a filmmaker usually reveals his or her heart in telling the story. And that's why I'm pretty much of a softy when it comes to helping along the young ones along the way.

I know that I present very - they say that I present very, very calm and very, very smart, very articulate, elegant. Yeah. And I go, 'Brilliant teams of makeup and wardrobe happened to dress me and clothe me and put my face on and do my hair. And then these brilliant teams of writers give me words to speak. I just need to make sure that I have them all in this combination in my body, in my being, and then I get to do it on camera, in front of a brilliant team of camera workers who really know how to like me and make me sound good.' So I'm just really a dork in real life.

It's a shameful piece of history and I think - I don't mean to be political or sobering or anything - but I think America, the United States, we still have to deal with the issue of our original sin, which was slavery. And I think we're seeing the ramifications, the consequences, of not really facing the truth as to what we as a nation struggled towards. You know, struggled with and are still struggling and rectifying.

I've never been funny. I don't think I'm funny. People say I'm funny. I go, 'No. No. I'm not.' But again, knowing what it means to film on a TV show and on film, you have to repeat, repeat, repeat. You have to do the same thing a number of times if you're filming a sequence. And to carry that energy in a comedic mode, would be a challenge that I really would frightfully scared, but I'd have to buck up and pull up my bootstraps and say, 'I can do this. Let's figure it out.'

I was born in Okinawa, but on a U.S. Army base. And my father is Japanese-American which means that he is second generation, but my mom was born in the Philippines and raised in Okinawa. So, how do you know where you are generationally from? I can claim all three legitimately, but I like to say that I am third generation American.

We know that there were so many Japanese American soldiers in World War II who were fighting in Europe despite the fact that their families, their parents were back home in American prison camps. It's savagely ironic that between themselves and the African-American soldiers, who were also segregated and didn't see the fruition of the work the culminated in the Civil Rights Act until the '60s, that these American heroes and their stories are not well known; and the fact that the 442nd/100th became the most decorated unit in U.S. history.