I usually try to connect with young filmmakers over the phone so I can hear them and just pick their brain as to why they want to tell the story. And usually, I'm on board. I go, "Yeah, I'd love to help. And I just need to know why you want to do this,' and it's usually an easy process because a filmmaker usually reveals his or her heart in telling the story. And that's why I'm pretty much of a softy when it comes to helping along the young ones along the way.

We've got to learn from each other. We have to put ourselves out there, we want to pull the other up because we want/should pull the other line up as we all have strengths and weaknesses and together we make a stronger group, family, community, world. And so it becomes a beautiful idea that can be practiced in that dealing with a person with autism can be...It's just different. It's not weird.

I was born in Okinawa, but on a U.S. Army base. And my father is Japanese-American which means that he is second generation, but my mom was born in the Philippines and raised in Okinawa. So, how do you know where you are generationally from? I can claim all three legitimately, but I like to say that I am third generation American.

I can't emphasize more to you that I had the luxury, the privilege of living up here in Vancouver. I feel like I'm on vacation, and I get to work, as well. I don't think I need a vacation after working. I'd just like to really look with a positive outlook in being here in such a beautiful city. I really am feeling lucky on the days off that I have, that I'm here on vacation in Vancouver, British Columbia.

My mother, she's the one who's gifted with language. She can speak Japanese, of course, Tagalog, which is a Filipino dialect, Spanish as well as English. And I speak a little bit Japanese because I've had the opportunity to work alongside Japanese people. And a little bit of German, a little bit of Portuguese because of work. A little bit of French because of work. But then, if you asked me to carry-on an everyday conversation, I would fail miserably.

I love independent films because I love to help, I love to assist, I love to pass along knowledge or experience to young filmmakers because usually, that's what they are. They're young filmmakers who are trying to either just simply tell their stories or trying to break into show business, and this is their calling card. But either way, I just really respect young filmmakers who are trying to tell a story that means something to them.

History is basically really looking back and finding out what happened to an individual, a community, a family, a group in a certain event. And so that's why I go, "Wow. That's what acting really is. You find out the background, you get the joy of creating a fictional history of a fictional character and you get to tell a story." So I felt that acting is making history come alive and it became my mode of trying to figure out what this craft of acting is really all about.