At 11, I got my first job in a mini-series for America, and it was very exciting.

Always take earplugs and an eye mask. It doesn't matter where you are. Even if you're in the best hotel, if there's road works outside, then you're screwed. So I take earplugs and an eye mask with me wherever I go.

I think if you have a good night's sleep, you can take on the world.

And, the sets that they built are just so beautiful. It's like going to a completely foreign country and experiencing a new culture that you've never seen before, especially at Camelot. It's just so magical. Personally, it's just so much more interesting than wearing jeans and a t-shirt, and walking around somebody else's house.

Guinevere has been done quite a few times, especially as a mature young woman, who either is the damsel in distress or the warrior, strong-willed woman. Chris wanted a variety of things in this Guinevere. He predominately wanted her to be real and natural, and make mistakes and be passionate, and be the feisty young girl, but then also completely naive, innocent and ignorant, at the same time.

The 1950s would be my ideal decade because I'm actually very traditional; I enjoy being at home, and I'm a complete nester.

That's really why I wanted to do it. I wanted to be a part of this generation's telling of Camelot, and also get the chance to play a fantastic, complex, interesting, emotionally passionate, young lead role.