I actually love doing period pieces, purely because it takes you into a different world, mentally. The clothes you have to wear are so far from our everyday clothes that it immediately helps with the character and putting you in that mind frame.

The 1950s would be my ideal decade because I'm actually very traditional; I enjoy being at home, and I'm a complete nester.

If you steal other people's characters, it doesn't work with the context of the scripts and what is written, so I wanted to make her my own. I was petrified, in the beginning, because it's such an iconic character, especially being a young lady myself.

I'm a real animal lover. I adore animals of all shapes and sizes.

I hate watching myself on film because I am so judgmental.

Guinevere has been done quite a few times, especially as a mature young woman, who either is the damsel in distress or the warrior, strong-willed woman. Chris wanted a variety of things in this Guinevere. He predominately wanted her to be real and natural, and make mistakes and be passionate, and be the feisty young girl, but then also completely naive, innocent and ignorant, at the same time.

I'm neurotic about children. I see dangers everywhere - sharp corners, stairs.