This girl: she bent reality around her like a lens bending light, she pleated it into so many flickering layers that you could never tell which one you were looking at, the longer you stared the dizzier you got.

I used to think I sewed us together at the edges with my own hands, pulled the stitches tight and I could unpick them any time I wanted. Now I think it always ran deeper than that and farther, underground; out of sight and way beyond my control.

Now death is uncool, old-fashioned. To my mind the defining characteristic of our era is spin, everything tailored to vanishing point by market research, brands and bands manufactured to precise specifications; we are so used to things transmuting into whatever we would like them to be that it comes as a profound outrage to encounter death, stubbornly unspinnable, only and immutably itself.

Some people are little Chernobyls, shimmering with silent, spreading poison: get anywhere near them and every breath you take will wreck you from the inside out.

People you knew when you were teenagers, the ones who saw your stupidest haircut and the most embarrassing things you've done in your life, and they still cared about you after all that: they're not replaceable, you know?

I wasn't sure I could make it through another hour of his company without throwing my stapler at his head.

This girl: she bent reality around her like a lens bending light, she pleated it into so many flickering layers that you could never tell which one you were looking at, the longer you stared the dizzier you got.