I think mostly the commodifying comes after I've done something that has some other value to me.

My publisher had mailed [Bret Easton Ellis] Richard Yates. And when I talked to him he said he had read all my prose books. And he said something like, "You got a lot of mileage out of Dakota Fanning."

While other rich people might be like, "Once I'm rich I'm going to go on a vacation to wherever," but instead they just keep wanting to be more rich. It just seems like it would be fun to do whatever you wanted. If I were really rich I would be flying places, I think.

Rejection is good. Putting others ahead of self, giving things away. Success, money, power, fame, happiness, friends; any kind of pleasure - giving it all away, in the pyramid scheme of life, with the knowledge that everything will be returned, and being satisfied with that knowledge; not with the actual return of things, but the idea of the return of things. There is death.

I wouldn't think of my characters' moralities at all. And I think I identify fully with every main character I've written about and would say that I am them pretty much. So in terms of that I don't think I'm similar to Bret Easton Ellis .

I don't feel a connection with younger people or with Generation X, or any generation, I feel. If I felt a connection with people my age I wouldn't have written six books about feeling depressed, alienated, lonely. If I did I would have many friends and feel connected with them and probably be a happy person who has a real job.

When I'm talking to someone I think 'can I use this dialogue in a book,'" said Luis. "If the answer is no I try talking to someone else.