Nimai [Larson] and I are very psychically connected to each other, I guess just being sisters, so as soon as we started watching sports videos we thought, "Oh yeah, we could totally get into this zone.
Taraka LarsonI really wanted to be able to make the music that acknowledged the metaphysical aspect of extreme sports because when I started watching GoPro videos, the thing that struck me the most was that the sound seemed completely detached from the imagery.
Taraka LarsonThere are a lot of unspoken things with me and Nimai [Larson]. We're very yin and yang, neither one of us really treads on each other's toes. She's this wizard of the rhythm world, and I know nothing about that, but I can dabble with melody and lyrics and that's something she doesn't really have any interest in. We complement each other in that way.
Taraka LarsonI had writers block for months afterwards because I was just so taken aback by all of the sounds I was hearing. It's almost like hearing the most beautiful music you've ever heard, so you're like, "What's the point of me making anything?" It was this living sonic organism so the idea of recording something just seemed like taking this living thing and mummifying it.
Taraka LarsonWhen we moved to Florida we experienced it on a communal level, in a more structured religious setting, with temples and different worships. That sense of community is very much interconnected with music for us, and thinking of music as this living organism that offers a space of mystical participation with forces outside yourself.
Taraka LarsonMy parents both renounced their material lives and were living as monks at an ashram in L.A. when they met each other. So we were always raised in this environment and when we moved to the ashram in Florida it was just like, "Oh, wow, now all of a sudden there's more people like us," because we were growing up in the middle of Texas with our parents, always being the weirdos.
Taraka Larson