We [with Nimai Larson] listened to hardly any music except Hare Krishna music growing up and the occasional Garth Brooks that our babysitter would play for us. From a very early age, we looked at music as mantra based, very cyclical, and having no linear time.

I know people within the Hare Krishna community look at pop music as secular, different, and something separate from spiritual music but for me, there's no difference.

If you repeat something enough it can literally physically change the air particles around you and it can infuse the air with this sacred sound vibration, or it can change your material body, like transform your flesh to spirit. These are all beliefs within the Hare Krishna philosophy we were brought up with.

I feel like utopia is neither here nor there. It's in that sort of space where you feel the most present, and that can be on tour [or] at home. It's easier to get to that place on tour because your environment is constantly changing, and from a very primal, evolutionary perspective, you have heightened awareness when you're in an unfamiliar place, so it's easier to access that state.

I had this crazy, a bit of a near-death experience in Estonia. I had these visions of the future but I was in this state where I felt the past, the present, and the future were all happening at the same time.

When we moved to Florida we experienced it on a communal level, in a more structured religious setting, with temples and different worships. That sense of community is very much interconnected with music for us, and thinking of music as this living organism that offers a space of mystical participation with forces outside yourself.

I listen to pop music and it sounds like mantra to me, there's this power to it. There's also something to be said about how it reaches people on a mass level, there's some magic to that.