I'm interested in the murky areas where there are no clear answers - or sometimes multiple answers. It's here that I try to imagine patterns or codes to make sense of the unknowns that keep us up at night. I'm also interested in the invisible space between people in communication; the space guided by translation and misinterpretation.

The majority of my work is about preparation.

I'm interested in the murky areas where there are no clear answers - or sometimes multiple answers. It's here that I try to imagine patterns or codes to make sense of the unknowns that keep us up at night. I'm also interested in the invisible space between people in communication; the space guided by translation and misinterpretation.

My work is drawn to the political but avoids an agenda. There is no inherent critique or support.

There is no truth in photography. One can't reproduce an absolute truth. That said, I don't see [my photographs] as being any less truthful than any other photographs.

Archives exist because there's something that can't necessarily be articulated. Something is said in the gaps between all the information.

I want to see everything. I guess the positive version of not seeing or not knowing would be preservation of fantasy.