Michel. In my dreams, you come and get me. You take me by the hand and you lead me away. This life is too much for me to bear. I look at the key and I long for you and for the past. For the innocent, easy days before the war. I know now my scars will never heal. I hope my son will forgive me. He will never know. No one will ever know.

You're playing with Pandora's box. Sometimes it's better not to open it. Sometimes, it's better not to know.

And so I write this for you, My Sarah. With the hope that one day, when you’re old enough, this story that lives with me, will live with you as well. When a story is told, it is not forgotten. It becomes something else, a memory of who we were; the hope of what we can become.

I wanted to cry, but the tears did not come.

She couldn't imagine why there was such a difference between those children and her. She couldn't imagine why she and all these other people with her had to be treated this way. Who decided this, and what for?

I wanted to say sorry, I wanted to tell her I could not forget the roundup, the camp, Michel's death, and the direct train to Auschwitz that had taken her parents away forever. Sorry for what? he had retaliated, why should I, an American, feel sorry, hadn't my fellow countrymen freed France in June 1944? I had nothing to be sorry for, he laughed. I had looked at him straight in the eyes. Sorry for not knowing. Sorry for being forty-five years old and not knowing.

How was it possible that entire lives could change, could be destroyed, and that streets and buildings remained the same, she wondered.