I find comedy to be really scary, because it can go so wrong so easily, and the margin for error is so huge - and I guess that's what makes it funny, that tension.

It's a daunting thing to be playing a real person and to have contact with her and meet her and be in her circle a little bit. It's an odd thing. There's so much responsibility to tell the story honestly and truthfully, and at the same time, you start to develop a friendship with this person - or I did.

I think the sci-fi world allows for exploration of that that isn't on the nose and that isn't preachy, but it's kind of artful and explores it differently. I think there's more imagination in sci-fi. There's more chance to kind of explore perspective and not have it so grounded in this world that we live in, which is so stuck in a patriarchal kind of system.

I'm running on adrenalin when we're shooting. It's non-stop. As soon as I have time to sit down, then I fall asleep.

I try to get roles that challenge me in what I can do and who I think I can portray. For me, it's about creating characters with really fascinating stories, because that's what I like to watch on TV.

Clothing and makeup and hair and all of that so much indicates the kind of person you are inside and the person you are presenting on the outside. Sometimes they are in conflict, and sometimes they are the same. That psychology of the exterior informing the interior is just so interesting.

My favorite actor on the planet is Gena Rowlands and she plays women who, to me, somehow defy gender. They are women, they are feminine, they are masculine, they are everything. There's something exciting about that. I don't know how to articulate it exactly. I guess it's busting out of the archetypes a little bit and not feeling restricted.