We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches.

Sometimes I'll go into a shop and speak in a different accent to see if I can pull it off. But then somebody will be like, 'Where did you say you were from again?' And then I panic, and my accent dissolves, and I pretend like I wasn't doing it in the first place.

I'm super sad to have it finish because it's been such a dream job, but it's nice to know there's a conclusion.

'Orphan Black' allows for people to have debates and theories and allegiances to different characters; to trust characters and hate other characters, but it doesn't tell you who is good or bad or right or wrong. That's the most exciting storytelling in my book.

I started out as a dancer as a kid; I've been dancing since I was 4. So performing was always part of what I was. I don't know if it I enjoyed the response I got from people or if I liked having an audience, but there's something in me that wanted to perform.

We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches.

Going back is a nice way to give definition to each of the characters because they are so vastly different. I would never want them to get blended together.