Depending on where you live and how you travel - whether you drive or bus or whatever - your experiences may be different. But I think that theme will be the same.

Depending on where you live and how you travel - whether you drive or bus or whatever - your experiences may be different. But I think that theme will be the same.

I feel like this is a feminist issue and is going to be a part of a feminist conversation, and I wanted images of women of color in that conversation - feminism historically has left us out.

Specifically for black women, our images and our bodies in the media and in history have been so hypersexualized.

I sat down and came up with a caption that I thought would fit well on the poster - something that was short and succinct but got a point across. The latest poster was a direct quote - it was exactly what the woman told me.

I think it's very important to get this stuff on film, not just the behind-the-scenes of the process, but also the interviews with the women. We're going to try to do some on-the-street filming, getting people's reactions to the work, and seeing if we can get some street harassment happening on film so people can see what we're talking about. It's important to have some type of documentation so people can see what happens when we create this artwork and why I'm creating it.

Men who are offenders of street harassment and women who experience street harassment can walk by and feel something about it, because it's out there in the environment where the harassment actually happens. So it's a lot more powerful than an oil painting that's stuck in a gallery or under my bed or in my studio where only a couple of eyes are going to see it, as opposed to it being in an environment where it could possibly effect a change.