I'll definitely pay attention to someone who is critiquing the artwork. But as far as someone not thinking street harassment is a big deal or that I'm being uptight? I don't think that's a valid critique.

In Boston, a couple of the women were students and they mentioned how Boston has a huge student population, and that's specific to their experiences of street harassment. They feel like the men were a lot more aggressive, particularly when it comes to social outings and things like that.

I am primarily an oil painter and a studio painter, so originally I was going to do an oil painting.

Men who are offenders of street harassment and women who experience street harassment can walk by and feel something about it, because it's out there in the environment where the harassment actually happens. So it's a lot more powerful than an oil painting that's stuck in a gallery or under my bed or in my studio where only a couple of eyes are going to see it, as opposed to it being in an environment where it could possibly effect a change.

Stop telling women to smile.

I think it's very important to get this stuff on film, not just the behind-the-scenes of the process, but also the interviews with the women. We're going to try to do some on-the-street filming, getting people's reactions to the work, and seeing if we can get some street harassment happening on film so people can see what we're talking about. It's important to have some type of documentation so people can see what happens when we create this artwork and why I'm creating it.

Depending on where you live and how you travel - whether you drive or bus or whatever - your experiences may be different. But I think that theme will be the same.