I make films about working class people.
As a filmmaker, "no" is not in my vocabulary. I've got to figure out a way.
We all get paid very, very well, and we have responsibilities.
The score is always the wonderful icing. The score tells you the emotional content of the film. What the characters don't say, the music can say.
Look at Walter Huston in The Devil and Daniel Webster: It's an incredible performance.
The whole concept of the devil is a metaphor on one level.