Well I don't think I've scored my life exclusively to Ray Charles.

The whole concept of the devil is a metaphor on one level.

We all get paid very, very well, and we have responsibilities.

The director's job should give you a sense of music without drawing attention to itself.

If people are worried about the size of their trailers, I kind of say their priorities are off.

Look at Walter Huston in The Devil and Daniel Webster: It's an incredible performance.

As a filmmaker, "no" is not in my vocabulary. I've got to figure out a way.