I also know what looks good before the camera, how to move the camera, and how to get a story on the screen.

I also know what looks good before the camera, how to move the camera, and how to get a story on the screen.

I really believe you can predict when someone has a great attitude, a real well of talent.

When I finish a film, I put it away and I never look at it again.

Because when you have millions of people with this kind of need for gratification, and the culture is saying that it's possible for everyone to satisfy all of their needs and desires all of the time, there are obviously going to be clashes - clashes of ego.

I make films about working class people.

I make films about working class people. All my films have always been about that. For example, the brothel is a workplace. It's aberrant, but a workplace nonetheless. I was more interested as opposed to glamorizing and saying, oh, this is a great erotic place, it's a place of business. The commodity is sex.