I love actors and I understand what has to happen within a scene. Any scene is an acting scene and actors never act alone, so there has to be an interchange. If it's a dialog scene, if it's a love scene, it doesn't matter because you need to establish a situation.

Look at Walter Huston in The Devil and Daniel Webster: It's an incredible performance.

But a writer's contribution is literary and a film is not literary. When you take that stuff off the page, and cast the people who are going to fit into those roles, that's what being a director is.

But the process of making a film is not glamorous. Certainly not my films.

It's very clearly stated in the film: You make your own choices, and what you're always fighting is ego.

The most disgusting, appalling horror of our world that we live in, to me, is sex trafficking and the enslavement of men and women, boys and girls, in the sex industry. That is the most horrific, horrific thing that's happening and it's happening in all of our towns here in Los Angeles, in New York, in London, in Paris, all over the world, and I think that's really what has to be addressed.

The score is always the wonderful icing. The score tells you the emotional content of the film. What the characters don't say, the music can say.