Radio is a really strange business now, too. There's a very narrow door and a very few people control what gets played.

I don't know if it's irrational, and I would never say this before, but I think I'm a little bit agoraphobic when I'm in huge crowds of people. I mean, it's claustrophobic, probably - small spaces and large groups of people, anxiety rises for me.

The difference between Tinted Windows and Hanson shows is a lot of just repertoire. Hanson has been a band for years - we have a lot of songs to pull from and it's a different dynamic - a common kind of thread. With Tinted Windows - it's kind of a little like "hey, we're this new band."

Don't change for anyone. The people that matter don't care, and the people that care don't matter.

Hanson has rapid female fans, which I’m completely proud of, but a lot of fans are a contingent that have grown up with us really - our peers. There’s younger fans. More and more guys are Hanson fans [but they’re] musicians or kind of guys who were into a Beatles record.

You can say we're trying too hard or that we didn't try hard enough, but we're not trying at all; we're just doing what we do.

It's really weird getting phone calls, and people going 'I love you, I love you, I love you.'