Like all of my fictions, 'Sinner' is a mirror. Look into it and you will find yourself. What you do with what you see is your choice.

In living we die, in dying we live.

It's critical that we use a very dark brush to paint evil. When you bring the light into that darkness as characterized in John 1, that light is very vivid. When it dispels the darkness, we see the brilliance that's there.

Sin thrives in the dungeon, but slap it on the table for all to see, and it withers rather quickly.

The light came into the darkness, and the darkness did not understand it, but that no longer mattered because the light was now obliteration the darkness.

The problem with any philosophical consideration is that once you open a door in your mind, you can never close it. Once you learn something, you can never convince your mind that you didn't learn it. If you learn the world is round, you can never fit in with a world that thinks it's flat.

For me, writing is an experience. It's an exercise in which I want to discover myself by taking my characters to the edges of human experience, to the edges of themselves and then, asking certain questions - about love, what does it mean to love? What's beauty? What is true beauty?