I would like my readers to close the cover at the end and say, 'Wow, I never thought of it like that before'.

My research for 'Adam' affected me profoundly, particularly the research into evil's underbelly. We tend not to think about evil until it pokes its head out of the air about us and then it tends to scare us silly. As well it should.

It is critical that writers who embrace the light of Christ's redemptive love characterize the darkness arrayed against us in a way that is consistent with its true nature.

Like all of my fictions, 'Sinner' is a mirror. Look into it and you will find yourself. What you do with what you see is your choice.

She suddenly began to jump up and down, screaming at the top of her lungs. "The arks are after me! The arks are after me! Help me, the arks are after me!" .... "The arks! You don't understand, I have the ring and the arks are after me!" .... (and so the police officer is puzzled long enough for Miriam and Seth to escape)

My first seven novels were contemporary spiritual novels, my next nine had strong elements of fantasy, and now I'm writing thrillers, more as a choice to spread my wings than anything. Writers, like good wine, should mature with age.

Then as now, evil begins its courtship cloaked in light. And the heart embraces what is should flee. Forgetting it once had a true lover. Love will prove greater than lust. Sacrifice will overcome seduction. And blood will flow.