I love touring. But it's super nice to have a new reason to play shows that isn't based around that perennial cycle of album/tour/promotion.

Bands-- enough with the crayon face-paint-- you're better than that.

The obsessive documentation is itself adjacent to hyper-consumption in our society. The desire to just have everything all the time and adjacent to that is - it might be a little hokey but - a certain loss of identity that then only gets sort of found or ascribed to these moments that are documented. If so much of your experience is devoted to the thought of documentation, you're already sort of spinning out this narrative from this moment that you are attempting to control instead of just experiencing it.

I've dreamed about performing songs, songs that don't even exist, as a complete song.

Though I know for a fact that some of my fans would be happy for me to do anything that's going to help me be successful, namely to go to a major label, and I thank them for that, there'd be a lot of people who I think wouldn't be so happy with that change, and when I DO get dropped, then where would I be?

I think it's become such a part of younger people's daily life to have the instant access to each other that it sometimes gets a little presumptuous. People feel like it's OK, for example, to email you with some weird personal criticism they have.

The early 2000s for me were a very emotional time, politically. I'd been through Reagan and been through first Bush and Clinton, and it's not like I had an easy time through those years. But I just thought it was particularly rough. I have to say the World Trade Center attack was very weird for me. The events that followed were worse. It was a really long swath of time.