For me, I make a schedule and I pass the time. I don't think about the transformation. When my schedule says I'm finished on this day, I put it in the past and go toward my future.

One year to me is just a small section of life. For most humans, one year is a long time and so much happens. But for the universe, it's very temporary.

I perform in art time and in real time, and you can't tell the difference - no one knows how to separate a real act from an art act in my work. When I lived on the street for a year, people only knew that I was homeless. They didn't know that I was an artist doing a piece. I have to use real time in my work. I do, however, have to find a subtle way of documenting real time, in order for people to have a response. That means punching into a work clock every hour in the case of one piece.

For me, I make a schedule and I pass the time. I don't think about the transformation. When my schedule says I'm finished on this day, I put it in the past and go toward my future.

I quit painting very early. I just jumped ship. In a way, the window is the tragic possibility - you can jump out into your future. That kind of action is more like a direction. It's that same thinking that brought me to New York.

Now, a lot of people look for answers in spirituality or different texts, but for me this is life. This is what life is: the passage of time. It's not about how to pass the time, but about the acceptance of the time passing. I know people think of my work as spiritual, but really it's just that I consume time. That's all.

I know I am a human being. I can give myself to one year for a project. That is why I say I'm primitive in the way I work, especially compared to most artists. I came to New York in 1974, knowing that it is the art center of the world. But I didn't go to find people for my work. I do the work, and the people come to me, and I learn from them. That has always been my approach - to do the job first and then to respond to it after I finish and learn what people think about it. That's how I develop, and I'm more of an outsider in that way.