It's to a writer's advantage to contain within himself elements of each sex, or any sex. It's to his advantage because it makes him able to write from the female point of view as well as the male. In some cases, of course, you will find some homosexual writers who can only write from a f - - -'s point of view. But I don't regard myself as a f - - -! Some people may. Also audiences wanted escapism. They don't like too much protest or criticism of their way of life.

I'm much more conscious of historical events since the '60s. In the '60s, I was insulated by my own addictions, my own lifestyle, from what was going on in the world. After I recovered I was amazed at certain people who had died. I hadn't noticed that they had gone. Not friends ... I'm talking about public figures who had passed away.

I've got the guts to die. What I want to know is, have you got the guts to live?

Security is a kind of death.

The scene is memory and is therefore nonrealistic. Memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart.

The human animal is a beast that dies but the fact that he’s dying don’t give him pity for others.

Since that day, when people have spoken to me of "genius", I have felt the inside pocket to make sure my wallet's still there.